Recital: Bowen Chen '26 DMA, Violin

Eugène Ysaÿe | Violin Sonata No. 2 in A Minor, op. 27

Obsession: Prelude (Poco vivace)
Malinconia: Poco lento
Danse des ombres: Sarabande (Lento)
Les furies: Allegro furioso

Program note

Eugène Ysaÿe's Sonata for Solo Violin in A minor, op. 27 no. 2, is dedicated to Jacques Thibaud, a French violinist and close friend of Ysaÿe. This sonata, part of a set of six, mirrors Ysaÿe's fascination with the solo violin's expressive capabilities and his admiration for J.S. Bach's sonatas and partitas. Known as "Obsession," the second sonata uniquely combines Baroque elegance with romantic expressiveness, featuring recurring motifs from Bach's Partita No. 3, alongside the Dies Irae plainchant, symbolizing an obsession with past musical forms. Its four movements—Prelude, Malinconia, Danse des Ombres, and Les Furies—showcase dramatic contrasts, technical virtuosity, and deep emotional range, making it a pinnacle of the solo violin repertoire.

Edvard Grieg | Violin Sonata No. 2 in G Major, op. 13

Lento doloroso - Allegro vivace
Allegretto tranquillo
Allegro animato

Program note

Edvard Grieg's Violin Sonata No.2 in G major, op.13, showcases the composer's distinctive melding of Norwegian folk elements with classical forms. Composed in 1867, this work reflects Grieg's deep connection to his Norwegian heritage through its use of folk melodies and rhythms. The sonata is characterized by its emotional depth, ranging from the passionate and energetic opening movement to the lyrical and expressive slow movement, culminating in a lively, dance-like finale.

INTERMISSION

Johannes Brahms | Violin Sonata No. 3 in D Minor, op. 108

Allegro
Adagio
Un poco presto e con sentimento
Presto agitato

Program note

Johannes Brahms' Violin Sonata No. 3 in D minor, op. 108, is the last of his violin sonatas, embodying the depth and maturity of his late compositional style. Comprising four movements, it contrasts from his earlier sonatas by including an additional movement, which allows for a greater range of expression. The sonata is known for its lyrical themes, complex rhythms, and rich harmonic textures, weaving together elements of classical form with the romantic emotional intensity characteristic of Brahms' music. This piece is a staple of the violin repertoire, celebrated for its technical demands on the performers and its profound musical depth, making it a favorite among musicians and audiences alike.

If we were to say the most valuable thing in life is to bring warmth and joy to others, then the happiest thing might be having a group of people who are willing to share life with you. Even if my journey in music is not always smooth, without the help and encouragement of benefactors, it would have been even harder to achieve what I am now.

 

Thank you to my professor and mentor, Mr. Paul Biss, for sharing so much insight into music with me during my busy first year of DMA studies and for guiding me with great patience to do better.

Thank you to my accompanist, Yu-Ann, without whom this concert would not have been possible. I am delighted to have collaborated with you and enjoy our chats together. P.S. I will never forget your hearty laugh.

Thank you to my parents for continually supporting me in fulfilling my dreams and serving as important guides in my life.

Thank you to Ms. Cathy, who always generously contributes to students and music. I appreciate your sponsorship and encouragement.

Thank you to God for allowing me to grow a lot during the dark last year and mature mentally.

Lastly, thank you to the audience. Regardless of whether I was satisfied with today's performance, your presence has motivated me to strive for better music. Thank you for your support.

Bowen, although the future path is unclear, please remember to be brave. 

 

"The path before you belittles you, the path behind you magnifies you" ~Jerry Chen